Limited to just 130 copies and never to repress, the record is produced on 180 gram vinyl with a locked groove and two custom inners and a screen-printed plastic outer (sealed). Each copy comes with an 'insert your own silence' CD from the film's soundtrack, and two risograph printed insert / posters, featuring Christopher Lee (who also performs on the record) and Soledad Miranda. Original liner notes authored by Jonathan Rosenbaum.
Bandcamp says 'purchase entitles you to blah blah blah' - wrong! Sure you'll get the B-side but the full package as ever is only possible by purchasing the record.
Includes unlimited streaming of Vampir-Cuadecuc
via the free Bandcamp app, plus high-quality download in MP3, FLAC and more.
Sold Out
special "ICE" edition of Carles Santos' Vampir-Cuadecuc
Record/Vinyl + Digital Album
5 copies only of this special "ice" edition of Carles Santos' Vampir-Cuadecuc with printed and signed report on Portabella's Brixton Prison screening by Winstanley Schtinter, and two A3 risograph posters: one on Carles Santos / Derek Redmond show at Cafe Oto 17/12/2019 and one covering the Portabella season whole.
Includes unlimited streaming of Vampir-Cuadecuc
via the free Bandcamp app, plus high-quality download in MP3, FLAC and more.
Sold Out
Streaming + Download
Includes unlimited streaming via the free Bandcamp app, plus high-quality download in MP3, FLAC and more.
Download price is for B-side only. Full soundtrack available only on vinyl.
VAMPIR-CUADECUC is released in an edition of only 130 hand-numbered + handmade copies and there will never ever be a repress. The record is produced on 180 gram vinyl, with two custom inners and a screen-printed plastic outer (sealed). Each copy comes with an 'insert your own silence' CD from the film's soundtrack, and two risograph printed insert / posters, featuring Christopher Lee (who also performs on the record) and Soledad Miranda. Original liner notes authored by Jonathan Rosenbaum.
credits
from Vampir-Cuadecuc,
released November 26, 2019
Carles Santos, Pere Portabella, Christopher Lee
Outstanding work, and I have no idea how it remained unknown to me for so long. There’s so much attention paid to timbre and arrangement, where every sound is exactly what’s called for at the right time and place in the stereo field. It almost sounds electronic, like the best album never made with bunch of Serge panels. RIYL everything from old Cold Meat Industry to Maurizio Bianchi to La Monte Young to Morricone soundtracks. A revelation, by my reckoning. Niall Munnelly